The net result is a Lightroom-ification of the Photoshop interface, which should be greeted with cheers by photographers. There are similar changes to Bridge CS4 as Adobe seeks greater user interface consistency with this release. In addition to the dock upgrades, workspaces have a bigger billing like Lightroom’s workspaces (Develop, Library, etc…). Laptop users may only be able to fit two images side by side, but owners of 30″ monitors will appreciate the various 5-up and 6-up layouts.
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I still haven’t figured out an easy way to use the CS3 Refine Edge tool to do the same.Īnother big upgrade to the user interface is the ability to easily tile your photos in N-up displays (e.g. I enjoyed the quick access to feathering and refining the mask edges. You can also apply, enable, disable, or invert a mask as well as adjust the density and feathering with sliders. There is one-button access to load selections from a mask, refine the mask edge, or adjust the color range. The Mask Panel provides much quicker access to tools for adjusting and creating masks. The rest feels right at home for Lightroom users.
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Much of the groundwork was already laid when Photoshop CS3 introduced the Dock, a pane on the right-hand side that wrangles Photoshop’s free-floating windows into a single, collapsible space. With all this hubbub, you might expect something very dramatic, but the end result is quite familiar - I even used Photoshop CS3 tutorials with CS4 and had little problem adjusting.
Pre-emptive strike on his blog in an attempt to quell potential unrest. Photoshop Principal Product Manager John Nack even launched a The challenge for CS4 was producing a revamp that would be greeted warmly like Lightroom, instead of with a mixture of cheers and derision like the Microsoft Office ribbon. Photoshop has a long history of revamps as they try to enable access to more functionality from within the same space and also maintain cohesion between their products - long-time Photoshop users still remember the pain of keyboard shortcuts and tools being rearranged. The engineers at Adobe are perfectionists when it comes to their user interfaces. Photoshop CS4 does come with many new features for manipulating 3D objects, but part of the challenge is making sure that these new features don’t squeeze out screen real estate for the features that photographers use. The success of Adobe’s Lightroom product, which was largely a repackaging of existing features into a new workflow application, demonstrates that the greater challenge that Photoshop faces is making sure that its wealth of functionality remains accessible to the many audiences it addresses. When a program is already the kitchen sink of image processing, it doesn’t need to. Photoshop CS4 does not introduce a ton of new features for photographers. Photoshop: New UI, Adjustments Panel, Masks Panel has been using beta versions of Photoshop CS4 and Bridge CS4 for several weeks now and is here to answer those important questions: What are the cool features? Will it cause you heartache? How does it line up with Lightroom 2.0? Read on to find out. Updates to Photoshop are always approached with a combination of excited anticipation and woe, especially an upgrade that has promised big changes to the user interface.
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Adobe fully unveiled Photoshop Creative Suite 4 today after a series of peeks into its industry standard image manipulation application.
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